Ken Hiratsuka Postcard 2016 – Last Chance
Wynwood Walls Muralist Photograph taken by Martha Cooper. Dimensions are 4" x 6" and are printed on premium coated 16pt Cardstock.
About the Artist
KEN HIRATSUKA
Japan
Sculptor Ken Hiratsuka was born in 1959 in Shimodate City, Ibaraki Prefecture, Japan. He graduated in 1982 from Musashino University of Art in Tokyo. In the same year, Hiratsuka came to New York City, received a fellowship from the Art Students League, and embarked on his life work of carving one continuous line in stone around the world. Committed to art for everybody, Hiratsuka began sculpting the slate and granite sidewalks of New York City, becoming a figure in the Street Art Movement of the 80’s.
Driven by his vision of art’s capacity to transcend the differences of nations and languages, Hiratsuka’s work can now be seen in permanent public sites in both urban and natural environments in 21 countries, to date. His work is included in museum collections in Finland and Japan. From the inner city, to the desert, to the coastline, Hiratsuka’s stone works are characterized by maze-like designs of infinite variation, always formed by one continuous line that never crosses itself. Hiratsuka often refers to his works as “fossils of the moment.” They are both modern and ancient, a symbol of human communication through universal language on the surface of the earth as one huge rock.
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Description
Wynwood Walls Muralist Photograph taken by Martha Cooper. Dimensions are 4" x 6" and are printed on premium coated 16pt Cardstock.
About the Artist
KEN HIRATSUKA
Japan
Sculptor Ken Hiratsuka was born in 1959 in Shimodate City, Ibaraki Prefecture, Japan. He graduated in 1982 from Musashino University of Art in Tokyo. In the same year, Hiratsuka came to New York City, received a fellowship from the Art Students League, and embarked on his life work of carving one continuous line in stone around the world. Committed to art for everybody, Hiratsuka began sculpting the slate and granite sidewalks of New York City, becoming a figure in the Street Art Movement of the 80’s.
Driven by his vision of art’s capacity to transcend the differences of nations and languages, Hiratsuka’s work can now be seen in permanent public sites in both urban and natural environments in 21 countries, to date. His work is included in museum collections in Finland and Japan. From the inner city, to the desert, to the coastline, Hiratsuka’s stone works are characterized by maze-like designs of infinite variation, always formed by one continuous line that never crosses itself. Hiratsuka often refers to his works as “fossils of the moment.” They are both modern and ancient, a symbol of human communication through universal language on the surface of the earth as one huge rock.
